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Cait Giunta Don't Panic #2 Detail

Cait Giunta Don't Panic #2 Detail

ENORMOUS TINY ART 16 at NAHCOTTA in Portsmouth, NH

THIS FRIDAY, September 5th from 5:00pm-8:00pm is opening night of NAHCOTTA's Enormous Tiny Art 16! Come see the works of Chases artists, Allison May Kiphuth, Jeremy Miranda, Dylan Haigh, Cait Giunta and MORE Friday night! Exhibition runs until September 28th.

Allison May Kiphuth The Observer Assemblage

Allison May Kiphuth The Observer Assemblage

Dylan Haigh Rat Trap Glue Pen & Ink

Dylan Haigh Rat Trap Glue Pen & Ink

Jeremy Miranda Grapefruit & Roses Oil on Panel

Jeremy Miranda Grapefruit & Roses Oil on Panel


PLATE TO PAPER
August 30th - October 5th

Plate to Paper will celebrate the non-toxic printmaking processes of Zea Mays Printmaking in Florence, MA. Liz Chalfin, director and founder of Zea Mays, practicing artist and pioneer of many non toxic print processes shares her Flat File Project - a collection of works by selected members of the Zea Mays facility. The artists works demonstrate the product of various techniques of non toxic printmaking from etching to relief to mono print - just some of the processes that will be available at the printmaking studio at Chases Garage. 

Elena Betke-Brunswick Keeping Track of Each Other Wodcut

Elena Betke-Brunswick Keeping Track of Each Other Wodcut

Classes in silkscreen and etching will begin this October at Chases, taught by local artist, Dylan Haigh of Haigh and Martino and Sarah Wonson, a Mass Art graduate living in Gloucester, MA. In the meantime, join us for an exhibition of amazingly talented and forward-thinking artists!


NEW!

Glaze Characteristics Intensive
Instructor: Mary Sweeney
The glaze master will pass on her knowledge of glazing for reduction firing. This lecture/workshop will cover all the studio glazes available at Chases, various glaze application, engobes, layering, underglazes, slip, stains, wax resist and more! Bring your notebook with you and start glazing smart. Get all the knowledge needed to understand glazing and how to get closer to the outcome you want. 

For both beginners and seasoned professionals.

In the meantime, check out this article from Ceramics Daily on the subject ; Glazing for Success : 12 Tips to Help You Master Pottery Glazing

3 HR. DEMO/LECTURE: 

TUESDAY,  SEPTEMBER 23rd
6:00pm - 9:00pm

$35.oo

Limit: 12 students


PLEIN AIR with Jeremy Miranda

THIS AUGUST we are organizing a plein air class to be taught by the wonderful Jeremy Miranda. Visiting locations around the seacoast, the group will meet for 3 hours each week to create an original painting from directly from life. Interested? Let's get this rolling! Sign up and we will determine dates, time & cost real soon. (IMAGE CREDIT: Jeremy Miranda)


THE PRINT STUDIO AT CHASES

Printmaking classes start OCTOBER!!  Visit the  & Register page for more information and keep an eye out for our progress here!


 
 
 
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Chases, Ashley Norman and little baby Atlas are featured in The Maine Magazine's 48HRS. Check us out in their Art Guide this February. Our most favorite, Design*Sponge loves on Atlas too!


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1. The second annual Prints & Pots exhibition starts July 19th with a reception from 4:00pm - 7:00pm 2.  Alexandra De Steiguer's Small Island, Big Picture at the Ogunquit Museum of American Art this June 19th - August 31st  3. Printmaking memberships & classes start this summer - come check out our progress.  4. Call to Interns/Studio Techs for Ceramic studio 5. Introducing our newest studio tech, printmaker, Sarah Wonson! 



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Chases Garage Artist Studios & Gallery
An exhibition, workshop, and creative studio space housed within an over 100 year old auto garage located downtown at Short Sands Beach in York, Maine. Chases is a creative space that allows artists to be productive on their own but encourages learning and collaboration from others. 


OUR VISION
By providing a versatile working environment for artists and creative professionals year round, Chases Garage Artist Studios & Gallery aims to assemble and support a dynamic artist community. Studio spaces, membership to communal workspaces as well as teaching and exhibition opportunities allow us to
encourage communication between artists and the public.